What is it about?
30 years after the events of the original (where human-like androids called Replicants that were used for slave labor have gone rogue, and Deckard (Harrison Ford), a Blade Runner, must track down and kill all remaining Replicants), newer models are now legal. LAPD officer K (Ryan Gosling) now has Deckard’s job of killing older models, and stumbles on a world-changing secret that he needs to investigate.
How is it? 9.6/10
Blade Runner 2049 is a one-of-a-kind experience. Boasting gorgeous cinematography, jaw-dropping visual effects, solid acting, a mesmerizing score, and thought-provoking themes, this movie truly is a sight to behold. DISCLAIMER: Blade Runner 2049 is Rated R for violence, some sexuality, nudity and language.
Ryan Gosling is fantastic as K, and really brings depth to the character as he learns more about himself. Harrison Ford is great reprising his role as Deckard, although he isn’t in the film much. Ana de Armas provides an emotional, realistic performance as K’s girlfriend, Joi. Robin Wright is also good playing K’s no-nonsense boss. Although he isn’t given much screentime, Jared Leto commits to the role of creepy replicant-maker Niander Wallace. Finally, Sylvia Hoeks does really well as Wallace’s assistant Luv. Blade Runner 2049 has flawed, complex characters that learn more about themselves and grow throughout the runtime, which provides for an intriguing viewing experience.
At several times throughout the movie, my jaw dropped in awe at the cinematography onscreen. Roger Deakins gives the movie the best cinematography I’ve seen possibly EVER. Shots of beautifully rendered Los Angeles are a marvel to look at. This alone makes it worth watching. The use of color is also really interesting: the film sticks to certain palettes depending on the environment, which is quite pleasing to look at. All effects on display play off the gorgeous cinematography to make it even more eye-popping. 2049 expands on the gritty, futuristic world of the first and adds lore to it.
The original Blade Runner’s score had a unique, surreal feel to it, and the score in 2049, composed by Hans Zimmer, is similar, but also its own masterwork. The score here is intense, emotional, and dreamlike, which, combined with the infinitely cool visuals, makes for an awesome film. The sound design is really well done also, whether it’s the loud booms of the score of the buzz of Los Angeles you hear.
The film’s plot is great. It takes risks, is layered, and has plenty of twists and turns. There are lots of surprises in the movie, much of which is uncovered by the detective work K does. As the plot unfolds, the audience has to put the pieces together. Much like the first, Blade Runner 2049 contemplates what it means to be human and to feel emotion. These themes are displayed through the several Replicant and human characters, and how their arcs all overlap. On top of this, the movie has heart. In my opinion, this emotional core is something the first lacked, but this one has.
Standing at 2 hours and 47 minutes, 2049 is long. However, this isn’t an issue: the movie uses the runtime to flesh out its characters and environment. It keeps the audience intrigued in the storyline. Denis Villenevue, who did a superb job with Arrival, is once again fantastic here. He makes a suspenseful, deep sci-fi film that combines technical brilliance with a great story. I liked the original, but I didn’t think it was the “masterpiece” many hailed it to be. This one improves on the first by making the pacing less lackluster, sticking to a tone, looking more into the themes, and having a better personal storyline amongst the amazing visuals.
If you haven’t seen the first (which you should if you want to see this one), then don’t expect an action movie as the marketing makes it seem like. This isn’t so much of a negative as a warning. Blade Runner 2049 is a slow-burn and has maybe a few “action” sequences, but many scenes of just characters in conversation. Again, the film is almost 3 hours. I didn’t find it too long, but it may come across as slow to some. There’s a lot of detective work that K has to do, which can seem slow at times.
Harrison Ford and Jared leto both do fine jobs with their characters, but they’re not in the movie much. The marketing made it seem like Jared Leto was the main villain and Harrison Ford had a huge role, but neither are really true: Leto gets less than 10 minutes of screentime, and Ford doesn’t show up until the middle of the second act.
Blade Runner 2049 is something special. From the first frame, you can tell how much effort was put into this film, yet it still seems effortless. The gorgeous sweeping shots of dystopian Los Angeles are awe-inspiring, the score is breathtaking, and the themes are thoughtful. The movie has a heart, top-notch performances, and manages to be its own thing, but still builds on the original. Go see it.
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